At last, it arrives under the ominous title Kingdom of Decay. Everything on Kingdom of Decay is an intensification of that short-but-sweet debut EP: the riffs more patient but punishing, the doom darker and doled out more effectively, the songs more world-eating whilst effectively exploring a greater wealth of dynamics and, it must be said, atmosphere. Elsewhere, the winning formula of Into the Blackness remains largely unchanged - the stately, steely pulse of later Bolt Thrower or the subsequent Memoriam dusted with the classy melodicism of A Canorous Quintet and successors This Ending, but all done with a touch that's somewhere between comfortably familiar and subtly unique - and you can now also add a touch of the tank-like onslaught of prime Grave, with everything given a gleaming CRUSH courtesy of the mixing by Tobbe Sillman (General Surgery) and mastered by the one and only Dan Swan- (Edge of Sanity) in the famous Unisound Studio in Sweden. This is what debut-album dreams are made of...or nightmares!
